Text: Ștefan Ghenciulescu
Learn as you go
There is fear and sadness, feelings that all of us are experiencing. But there is also enthusiasm (a lot of it) and competence (more or less of it). Balkan-like bricolage and makeshift online solutions.
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The history of modern architecture is full of dreams about dl flexibility and about solving the problem of living in a small space. If, as Louis Kahn said, the city is made of public corridors and rooms, maybe a good strategy for minimal dwelling could be thinking of an apartment as a continuation and interpretation of urban spaces, the final stage in the complex transition from total exposure to intimacy, from being together to being alone. The design as masterplan and the dweller as an entrepreneur and strategist of their own space: an answer to a system in which dwelling becomes a corporate business more than anything else and in which we can afford increasingly smaller houses and apartments.
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Stardust’s Anca Cioarec and Brîndușa Tudor seem to be extremely comfortable on the scale that borders architecture and design. Each project is approached sensibly and with care: the space and the bolt become part of the same family, and the cultural references and the love for history are visible even in the smallest works or details.
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Aviator Protopescu Street, Bucharest. An already refurbished old house, and that in a dubious way. A new house based on previous ones. An almost forced eclecticism a world of many spaces and elements
Text: Justin Baroncea
Project: Justin Baroncea, Dragoș Dragnea
Photo: Radu Malașincu, Andrei Mărgulescu- Recommend on FacebookTweet about it
Project: Brandlhuber+ Emde, Burlon; Muck Petzet Architekten
Text: Ștefan Ghenciulescu
Photo: Laurian GhinițoiuProject listed as finalist at EU Mies van der Rohe Awards, 2019
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Text: Ştefan Ghenciulescu
Photo: Cosmin Dragomir, Daniel MiroThe area defined by the Polonă and Eminescu Streets and Șoseaua Ștefan cel Mare is part of a rather old part of the Romania capital, Bucharest, with quiet streets, and all sorts of architecture, from imposing villas and pretty blocks of flats, to old slum houses. There are many poor people there, although the social structure is rapidly changing. It does not have the prestige and coherence of some of its adjoining neighbourhoods, and, as such, it also hardly contains any protected areas.
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Text: Mugur Grosu
What can be more comforting when you get lost than the landmark on the map telling you where you are: you are here. Maybe a simple sign that indicates a destination. No wonder that in 2014 MoMA acquired for its permanent collection a representation of the red tear-shaped symbol that the Danish designer Jens Eilstrup Rasmussen had created for Google Maps.
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Organisers: Goethe-Institut, Zeppelin, Stardust Architects
Intro: Brîndușa Tudor, Anca Cioarec, Ștefan Ghenciulescu
On the occasion of the Bauhaus centennial, Goethe Institutes all around the world have organized special programs; they have brought exhibitions, movies, lecturers etc., but they have also organized their own events, pretty much everywhere, in cooperation with local organizations:
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ElectroPutere AIR (artists in-residence) is a program of the Centre for Art Club ElectroPutere developed within the framework of the creative, production and research centre, located in the city of Craiova in southwestern region of Romania.
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A special edition Zeppelin: #30. Arhitecture in România, 1989-2019.
An album of 248 pages, 8 chapters, almost 100 projects.
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