Architecture.
City.
Society.

Graphic Front invites you to submit your entries for ROAR POWER POSTER @ Bucharest Graphic Days 2024. The theme of this edition is: POWER

Some time ago, the architect was rather the master craftsman, the one who coordinated the project. Today, craftsmen have largely disappeared. This project is largely the result of architects’ deep sense of respect for the old house, but also for the exceptional craftsmen with whom they worked.

We at Zeppelin are very interested in the Czech Republic. This interest is not just about architecture but also comes from a long-standing fascination and sympathy. In 2007, we published a special issue dedicated to the Czech Republic, edited by Osamu Okamura (then editor-in-chief of the architecture magazine Era 21) and our colleague Mihai Duțescu. […]

Text: Osamu Okamura Photo (up): KWK.Promes: PLATO Contemporary Art Gallery, Ostrava ©Juliusz Sokołowski

Edito + Intro (I): New Architecture and Urban Regeneration in Czechia Text: Ștefan Ghenciulescu The Czech Republic is one of those fortunate countries where the quality of architecture and public space seems inversely proportional to the size of its territory and population.

Interview: Ștefan Ghenciulescu Photography in the factories: Marius Vasile Introduction. Three discussions about design, industry, and strategies

The house in Mogoșoaia lies is in an average-density, mainly residential area, with low-rise individual houses. The rectangular plot, its short sides to the north and south, is situated between the Mogoșoaia forest and lake, neighbouring the sports complex of the same name.

A Jewish family in ’30s Prague. A great architect. A historical tragedy. Then another one. An adventure-book discovery. A retrieval and a rebuilding with one’s own hands. Today, a living house.

The biggest architectural event of the year in South-East Europe is coming up.

Text: Cristian Bădescu, Vlad Dumitrescu Foto: Vlad Dumitrescu, Marius Vasile, Cristian Bădescu, arhiva fam. Cocioabă

De-cityfication: the reality of expanding urban characteristics outside cities, paradoxically leading to un-city-like forms of urbanism.

The extension of an industrial building in the Swiss city of Winterthur. „Extending the Cycle” project received the Global and the European Prize at the 2021 Holcim Awards – the main global competition for sustainable design.

The Serpentine House (Finnish: Käärmetalo) is one of the best-known residential developments in post-war Helsinki – among other merits, it has been listed by DOCOMOMO as a significant example of modern architecture in Finland.

Seaweed on the roof, and bricks filled-in with earth from the building site excavation. This small and compact dwelling block happily blends timeless rationalism and regionalism, climate- and social appropriate thinking and smart inventions. A model.

Doina Petrescu teaches Architecture and Design Activism at the University of Sheffield and, together with Constantin Petcou, founded Atelier d’Architecture Autogérée, a platform-association intersecting architecture, participative urban planning, activism, acting as a device for addressing societal issues through the participative activation of unused spaces.

At least three of the words I used in the title raise questions beyond the aesthetic register. First, ‘guild’. The idea of belonging to a ‘professional group with common interests’ (a possible definition of the guild) contains a cultural anachronism