Architecture.
City.
Society.

A modest gesture, yet one capable to change the way one experiences the church and its yard. The restauration brings an object that served the community back into nthe life of the village and its surroundings.

How can more people still afford to live – and in a good way – in the city? This project shows one way to do this, from within the market, but in a responsible way.

At a time when the need and tension of densification pervades Switzerland, HHF is bringing forgotten spaces back to life in the heart of Basel.

Sneška Quaedvlieg-Mihailovic is the Secretary General of Europa Nostra and works closely with the European Council, UNESCO and other EU institutions.

Edito. Women Architects: Where? Text: Cătălina Frâncu Photo: Olivian Șerban

Two radically different events in terms of gender representation took place in the same week. One was tiny, held in a basement, and the other was large, ticketed.

Intro Text: Ștefan Ghenciulescu, Cătălina Frâncu The title may sound rather ambitious for a magazine issue: a comprehensive overview of a country’s architecture usually calls for a book; an annual, a catalogue, or something of the sort.

What do an (apparently) interwar modernist apartment block, a semi-rural house with a flower garden, both in Bucharest, and the opulent official residence in Suceava designed by the famous architect couple Nicolae and Maria Porumbescu have in common? They all defy the logic of totalitarian-era housing – serial, uniform, mass-produced.

I don’t know many contemporary artists in Romania as connected to architecture and the city as sculptor Virgil Scripcariu. His works can be found in public spaces in Bucharest and Timișoara, and he collaborates closely with architects, including on the Museum at Piscu, a project developed by him and Adriana Scripcariu.

Graphic Front invites you to submit your entries for ROAR POWER POSTER @ Bucharest Graphic Days 2024. The theme of this edition is: POWER

Some time ago, the architect was rather the master craftsman, the one who coordinated the project. Today, craftsmen have largely disappeared. This project is largely the result of architects’ deep sense of respect for the old house, but also for the exceptional craftsmen with whom they worked.

We at Zeppelin are very interested in the Czech Republic. This interest is not just about architecture but also comes from a long-standing fascination and sympathy. In 2007, we published a special issue dedicated to the Czech Republic, edited by Osamu Okamura (then editor-in-chief of the architecture magazine Era 21) and our colleague Mihai Duțescu. […]

Text: Osamu Okamura Photo (up): KWK.Promes: PLATO Contemporary Art Gallery, Ostrava ©Juliusz Sokołowski

Edito + Intro (I): New Architecture and Urban Regeneration in Czechia Text: Ștefan Ghenciulescu The Czech Republic is one of those fortunate countries where the quality of architecture and public space seems inversely proportional to the size of its territory and population.

Interview: Ștefan Ghenciulescu Photography in the factories: Marius Vasile Introduction. Three discussions about design, industry, and strategies

The house in Mogoșoaia lies is in an average-density, mainly residential area, with low-rise individual houses. The rectangular plot, its short sides to the north and south, is situated between the Mogoșoaia forest and lake, neighbouring the sports complex of the same name.