Articles published by: Nickname

Refurbishment and extension of a Villa in a Piedmontese village

Project, text: Romina Grillo, Liviu Vasiu
Photo: Delfino Sisto Legnani e Marco Cappelletti

The project is about the refurbishment and the extension of a 1910 villa in a Piedmontese village. Located on the edge of the urban fabric and open towards the vast rice and agricultural fields, the villa is the last architectural object that connects the bourgeois world with the hard context of its countryside.

The Cosmopolitan. BOGDAN & VAN BROECK – Turning an office building into a multifunctional assembly, Brussels

Project: BOGDAN & VAN BROECK
Text: Ştefan Ghenciulescu
Photo: Jeroen Verrecht, BOGDAN & VAN BROECK, Luca Beel, memymom

We are taking back our city.

Houses in downtown European cities (and not only) are rapidly turning into offices, Airbnbs, hotels, etc. The Cosmopolitan project follows the exact reverse path: a former office building becomes a block of flats, with public functions on its first two levels.

Bucharest Steampunk. ADN BA: Urban Spaces 2/ Mumuleanu

Text: Ștefan Ghenciulescu
Photo: Andrei Mărgulescu, Cosmin Dragomir, Daniel Miroțoi, Mihai Rotaru

The word steampunk conjures a mixture of Sci-Fi and nineteenth-century aesthetics: goggles over high hats, ladies’ hoop skirts and gentlemen’s frock coats matched with mechanic limbs, etc.

Zeppelin #158 (summer_2020)

 

Edito: 74 Nearly Forgotten Poets. And a Nearly Invisible Memorial

TEXT Mugur Grosu

 

DOSSIER: Drawing

Intro
TEXT Ştefan Ghenciulescu

Autobiografia scientifica
Beniamino Servino: Image, Imaginary, Identity, Idiosyncrasy
TEXT Alexandru Cristian Beşliu

 

Matrix at Hand
3D Scanning and Reconstruction of Reality

Text: Ştefan Ghenciulescu
Imagini: Graphein

 

Data, Images, City
Răzvan Zamfira & Interrobang Studio

 

Participatory Worlds
Claudiu Bârsan-Pipu & Neomorph

 

Indoors, in a Tent
TEXT Alex Axinte

 

super:serios
Games, Design, and Urban Interactions

Intro: Lorena Brează
Text / ilustrații: super:serios

 

Outside Inside
A Lockdown Student Competition

 

Horia Marinescu
Exorcism through Drawing

Text: Ștefan Ghenciulescu

Education by Drawing
The Italian School

Text: Ştefan Ghenciulescu, feat. Magdalena Nicola

 

The Romanian Dwelling. A Folder
On plans, models, archives, and houses

TEXT Cristina Constantin, Cosmin Pavel

DOSSIER: Covid Era Projects
Intro
TEXT Lorena Brează, Ştefan Ghenciulescu

Viziere.ro
A Collaborative Project

 

A War Hospital

Text: Loren Brează
Photo: Alexandru Roşanu

Robot at Work
Modulab

Text: Lorena Brează, Ioana Calen
Photo: Modulab

 

City 1.5
A Project for (Post)pandemic Togetherness

 

COVID Street
Accumulating Street Images of the Pandemic

TEXT Bogdan Iancu

 

DOSSIER:
After the Quake: Japanese Schools

Intro

Miyanomori Elementary School

 

Toni Elementary School, Junior High School and Nursery School

 

Kamaishi Unosumai Elementary School, Kamaishi Higashi Junior High School, Unosumai School Nursery, Unosumai Kindergarten

 

Takata‑Higashi Junior High School

 

ZOOM

HOTSPOT Co‑working Space

TEXT biroarchitetti

 

Domestic
Corvin Cristian: Offices for Jazz Communication, Bucharest

Text: Ștefan Ghenciulescu

 

PLANS

Zeppelin 157 (spring_2020)

Edito: School in the Coronavirus Times
TEXT Ştefan Ghenciulescu

Learn as you go

There is fear and sadness, feelings that all of us are experiencing. But there is also enthusiasm (a lot of it) and competence (more or less of it). Balkan-like bricolage and makeshift online solutions (…)

DOSSIER
Together and Alone. Models of Dwelling
Intro
TEXT Ştefan Ghenciulescu

 

Bucharest Steampunk
ADN BA. Urban Spaces 2/Mumuleanu

Project: ADN BA
Text: Ştefan Ghenciulescu
Photo: Laurian Ghiniţoiu, Andrei Mărgulescu, Cosmin Dragomir, Daniel Miroţoi, Mihai Rotaru

 

The Cosmopolitan. Offices Become Homes
BOGDAN & VAN BROECK. Turning an Office

Building into Housing and an Urban Landmark, Brussels

The Social Housing Factory
Project & text: Roldán + Berengué, arqts
Photo: Jordi Surroca + Gael del Río/Roldán + Berengué arqts

 

Refurbishment and Extension of a Villa
Galliate, Italy

Project & text: Romina Grillo, Liviu Vasiu
Photo: Delfino Sisto Legnani e Marco Cappelletti

 

Critical Restitution
Rehabilitation of a House in the Village of Remetea, Harghita, Romania

Project: Larix Studio
Text: Ştefan Ghenciulescu
Photo: Szigeti Vajk‑István, Larix Studio

 

House with Wide Eave
Mizil, Romania

Project, text & photo: Cristina Constantin, Cosmin Pavel

 

Patient Zero
House one. Text two.

Project: Cosmin O. Gălăţianu, Cristian Beşliu, Cosmin Georgescu, Octavian Bîrsan
Text: Cosmin O. Gălăţianu
Photo: Cosmin O. Gălăţianu, Cristian Beşliu

 

Project Alias
Or How to Protect Yourself from Your Smart
Friends at Thome

Project: Bjørn Karmann & Tore Knudsen
Text: Lorena Brează

ZOOM
Filling
ADN BA. Splay Office Building, Bucharest

Project: ADN BA
Text :Ştefan Ghenciulescu
Photo: Daniel Miroţoi, Cosmin Dragomir

 

More than design
Calup. Recul Independent Theater, Bucharest

Project: Calup – Mihat Márk Lóránt, Alexandru Tudose
Reporter: Lorena Brează
Photo: Sorin Nainer, Alexandru Tudose, Mihat Márk Lóránt

 

Out for Coffee, on the Boulevard
Bogdan Ciocodeică Studio. Beans & Dots 2
Coffeshop, Bucharest

Project: Bogdan Ciocodeică Studio
Text: Ştefan Ghenciulescu
Photo: Andreea Macri

 

Writing not Typing

Autor: Thomas Weaver
Text: Ştefan Ghenciulescu

Design Exercises in Street Furniture
Decebal Scriba. 1973

Text: Mirela Duculescu
Photo: Arhiva Decebal Scriba

PLANS

74 Nearly Forgotten Poets. And a Nearly Invisible Memorial

Text: Mugur Grosu
Foto: Mihnea Ratte, Cătălin Georgescu, Marina Popa, Corina Cimpoieru

Here’s a stereotype to wonder about: “A Romanian is born as a poet”. The brimstone in our cities bears, nevertheless, testimony to the contrary: not only is there no place for poetry in them, but one can hardly find some place for people as well. Nothing stands before the new gods—the car and the money; to research them is blasphemy, to challenge them—apostasy.

“Parere sull’architettura”. Carmelo Baglivo: a modernity of inclusion and uncertainty

Text: Alexandru Cristian Beșliu
Images: Carmelo Baglivo, BAN

For Carmelo Baglivo’s generation, formed in the 80’s, the architectural representation, the image, has become a fundamental ideological pursuit complementary to the project, yet a willfully autonomous one, free from the constraints of immediate realization. Carmelo’s collages and drawings capture the disorientation of someone who dares to interrogate the legacy and memory of modernity, of its “fathers”, its masterpieces and its myths.

21st Century Art Deco. Miklós Péterffy: PJ House, Cluj

It is generally difficult to rehabilitate Modernist works, balancing unavoidably radical interventions and the respect for your colleagues’ (and even your masters’) work. How do you deal, though, with minor, (semi)vernacular Modernism, devoid of any great historical value, but full of charm – and issues?

From Form‑Trans‑Inform to Atelier d’Architecture Autogérée. A Discussion with Doina Petrescu and Constantin Petcou

Interview: Alex Axinte

Co-founded by Constan­tin Petcou and Doina Petrescu, atelier d’architecture autogérée (aaa) is “a collective platform of research and action around urban change and emerging cultural, social and political practices in the contemporary city. aaa initiates and supports strategies of ecological transition involving citizen locally and internationally. aaa acts against global crisis (ecological, economic, political, social, etc) by creating the conditions for citizen to participate in the ecological transition and adopting resilient ways of  living. aaa functions within an open interdisciplinary network, where different viewpoints cross each other:  architects, artists, students, researchers, pensioners, politicians, activists, residents, etc.

Reinier de Graaf: The Century That Never Was

Intro: Ștefan Ghenciulescu

“Four Walls and a Roof . The Complex Nature of a Simple Profession”. A book by Reinier de Graaf

Zeppelin rarely publishes “starchitects”. And when it does happen, it is mostly about an isolated project where, besides the fireworks (having their own value), there are also more important things: an (added) value as a public space, a smart urban transformation, beautiful spaces, innovation that will actually carry things on… Or because they express a phenomenon which needs to be critically discussed. Or, well, because it is what it is, and we all have our guilty pleasures.