Articles published by: Nickname

Recently, MNAC (NMCA-National Museum of Contemporary Art) and the Royal Netherlands Embassy organised a debate about the public space; Justin Baroncea presented the case of public spaces in Barcelona at zeppelin; I talked about this under the Revival of the Fittest conferences organised by Hydrasociety. Briefly, there are many actions dedicated to this topic; some of them not only by our team, in which we talk increasingly often about what and how it should be done and I had the feeling that this is for everybody something quite obvious. Despite that, I realise there are confusions for specialists as well, be they architects or great urban planners. Since the value of the public space and how this should be designed, created, developed is not clear within our own profession either. Perhaps that many of the things to come up in these pages are or will be signed by architects, artists or designers.

Every spring, once the last patches of dirty snow are gone, the meteorological-natural alibi for all difficulties with which the brave fighters in urban pentathlon must cope with every day – walking on the pavement, avoiding ditches and 4X4 cars parked or driving on the road freely, passing by the building sites… Well, you are familiar with them all, aren’t you?

I have never been to Leipzig yet, while listening to some music at home, a rather trivial detail took me into an imaginary trip to Katharinenstrasse and then to Santa Cruz, as it follows.

Along with the real estate boom of the 2006–2008, there entered the Romanian industrial design market building “industry”- related materials, furniture, systems and subassemblies. The quality of design products increased with the demand requirements generated by the explosion of the offer prices.

Cosmin Caciuc: Mr. Sergison, the first questions are connected with your biography. You graduated from the Architectural Association in 1989, one of the most prestigious schools of architecture in the world. How was the educational and professional atmosphere at that time in the AA?

What could I tell you after 10 years of work at Arhitectura? The start was truly from zero, a certain type of zero since we had the experience of Virtualia and Octogon reviews. That kind of zero in ’99 was a complete lack of funding or means, but we had ourselves to invest and to spend.

The Whitney Museum – a model for contemporary minimalist architecture – successfully embodies the idea of integrating arts, design, architecture, and the building in a unique conceptual gesture.