‘What are you staring at us for ? Why are you taking pictures ? Get away from here ! Leave us in peace !’
We saw the homestead at a bend on the road which passes through the Râmeti village in the Western Carpathians. An incredible image : a house, a shed and a barn exactly as they used to be a hundred years ago and which now seem to exist only in ethnographic museums. Three elderly people, patching a thatch roof with a sheet of metal.
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28 Editor’s #117 / In the countryside. For us, for them, for everyone
Text: Stefan Ghenciulescu30 SANAA: Outside Paris
Text: Corina Laza
> Sanaa created for Louvre Lens Museum a building that is capable to dissolve itself in the landscape and whose galleries contradict the traditional canons of museology.- Recommend on FacebookTweet about it
28 Editor’s #117 / In the countryside. For us, for them, for everyone
Text: Stefan Ghenciulescu30 SANAA: Outside Paris
Text: Corina Laza
> Sanaa created for Louvre Lens Museum a building that is capable to dissolve itself in the landscape and whose galleries contradict the traditional canons of museology.42 DOSSIER: Kaden Klingbeil Architekten: Wood as a Resource for Urban Development
> This team pursues primary construction using wood, in combination with other forms of solid structures in the service of spatial experience to arrive undogmatically at fully optimized constructive possibilities: reduced costs, abbreviated construction schedules, a precise realization of architectonic intentions, and an improved ecological footprint.54 Iulian Ungureanu: Recycling a peasant house
> Reconstruction of a house in Arges County58 DOSSIER: Jun Igarashi Architects
> The five houses on the Japanese island Hokkaido illustrate in this file the new wave of Japanese school: critical assimilation of modernist language, profound interpretation of the context, highly consistent architectural concepts and a significant materialization, which makes European constructors lost in thoughts.58 Intro: Cosmin Caciuc
- 60 The Rectangle of Light House
- 64 House of Trough: Independence from View
- 68 Multiple Layers of Light House
- 72 M-House: Looking Only Into Its Own Interior
- 76 O-House or 15 Boxes
80 Urban Report: Tranzit.ro
> Instead of an art center, a strategy of
dispersion, infiltration, cooperation
Text: Raluca Voinea, Livia Pancu, Attila Tordai84 Artist, location, architect
> The National Museum of Contemporary Art (MNAC) is housing for a whole year a retrospective of artist Mircea Cantor. The Q.E.D. exhibition is located on the ground floor and the mezzanine of the museum, and the connection between the exhibits and the spaces belonging to Ceausescu’s former palace is anything but accidental. Attila Kim’s exhibition design responds to the artist’s programme by disassembling and reorganizing existing spaces.
Text: Mircea Cantor, Attila Kim90 New Holland, St. Petersburg: The City within the City
> The conversion of a former military port in St. Petersburg
Text: Cosmin Caciuc94 Theatre at home. Two shows at number 53, Carol Boulevard
> New theatrical experiences into a reused house
Text: Lucian Sandu-Milea96 Modulab: Symbiogenesis and coevolution in the context of interactive design
Text: Ioana Calen98 Bucharest Design Center: Original Identic Replicas
> Original vs fake – a debate in design
Text: Liana Vasilescu100 Parametric and Crafted
> Street Delivery Pavilion in Iasi, the second gridshell spatial structure in Romania
Text: Andrei Padure102 Patrik Schumacher: Design is Communication
> Interview with the special guest of the event Dynamic Fields in Bucharest
Reporter: Ina Leonte106 Connected: Smart community and infrastructure for electric cars
> Mitsubishi is involved in infrastructure projects of the future at a global level and it is testing solutions for the implementation of urban electric transport: alternative mobility attracts a new vision about the city as a network of energy and information flows.
Text: Cosmin Caciuc114 TVZEB: Experimental Zero Energy Building
> Enhancing building performance of a building in Vicenza, Italy
Text: Traverso-Vighy- Recommend on FacebookTweet about itPost de: Ioana Ciocan, curator
from September 18th through October 12 th, 2013 @ Aiurart Contemporary Art Space (Bucharest, 21 Lirei St.)
Curated by: Ioana Ciocan
opening: September 18th, 7pm-10pm.
Facebook event, https://www.facebook.com/events/724673474216219/I started my love affair with José Antonio Vega Macotela (b. 1980, MX) after I saw his Study of Exhaustion – The Equivalent of Silver (2011) at Manifesta 9 in Genk, Limburg, Belgium in 2013.
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An exhibition about the reactivation of the Romanian architectural heritage.
This exhibition is based on a selection of 20 contemporary interventions to listed buildings. We have not chosen restorations of huge value monuments (where the interventions should be invisible anyway), but operations that breathed new life into old, fragile sites. Respectful repairs, but also infusions of new functions, strategies, community actions, added value for that particular location.
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From a recent ruin to a house: recovering and repairing ask for an architectural action, that differs both from restoring and creating a new work.
The project of this house is a rather unusual type of intervention. This is not the continuation of a project or the adjustment to a context. We called it repair works. The repair works of a recent ruin is something else than the intervention on an old house. An old space has a couple of sensitive elements, a spirit, perhaps good proportions or well-aged finishings.
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An Art-Deco house of Bucharest
Semi-detached on a small plot, with a stepped parapet in levels terraces yet hiding a gently sloped roofing, boat portholes (lighting the attic) and “cubist” surfaces made of plaster profiles. A nice Bourgeois house in the South of the centre, not listed as a monument, not included in any protected area, and in a rather poor state.
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An exhibition and a catalogue including 14 recent projects that shorten the heavy official system and have already succeeded in getting the first substantive achievements in terms of creating public space, protecting the heritage, devising independent cultural centres and reaching social projects.
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‘What are you staring at us for ? Why are you taking pictures ? Get away from here ! Leave us in peace !’
We saw the homestead at a bend on the road which passes through the Râmeti village in the Western Carpathians. An incredible image : a house, a shed and a barn exactly as they used to be a hundred years ago and which now seem to exist only in ethnographic museums. Three elderly people, patching a thatch roof with a sheet of metal.- Recommend on FacebookTweet about it
Only available in Romania
Thursday, 4 june 2013, 15:30
Aula Magna a Bibliotecii Centrale Universitare „Carol I“, Bucharest
Designing big buildings and very big buildings is almost a subject itself.In todays world our jobs are changing rapidly . We have to learn to negotiate, to bring people together and work with them, to understand the process not just the final result. Studying large scale architecture is an essential part of learning.
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