{"id":7536,"date":"2013-09-21T11:39:21","date_gmt":"2013-09-21T11:39:21","guid":{"rendered":"https:\/\/e-zeppelin.ro\/en\/?p=7536"},"modified":"2013-09-23T03:56:54","modified_gmt":"2013-09-23T03:56:54","slug":"content-magazine-117","status":"publish","type":"post","link":"https:\/\/e-zeppelin.ro\/en\/content-magazine-117\/","title":{"rendered":"Content magazine 117"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>28&nbsp;<a href=\"https:\/\/e-zeppelin.ro\/en\/editorsin-the-countryside-for-us-for-them-for-everyone\/\">Editor&rsquo;s #117 \/ In the countryside. For us, for them, for everyone<\/a><br>Text: Stefan Ghenciulescu<\/p>\n<p>30&nbsp;SANAA: Outside Paris<\/p>\n<p>Text: Corina Laza<br>&gt; Sanaa created for Louvre Lens Museum a building that is capable to dissolve itself in the landscape and whose galleries contradict the traditional canons of museology.<\/p>\n<p><!--more--><\/p>\n<p>42&nbsp;DOSSIER: Kaden Klingbeil Architekten: Wood as a Resource for&nbsp; Urban Development<br>&gt; This team pursues primary construction using wood, in combination with other forms of solid structures in the service of spatial experience to arrive undogmatically at fully optimized constructive possibilities: reduced costs, abbreviated construction schedules, a precise realization of architectonic intentions, and an improved ecological footprint.<\/p>\n<p>54&nbsp;Iulian Ungureanu: Recycling a peasant house<br>&gt; Reconstruction of a house in Arges County<\/p>\n<p>58&nbsp;DOSSIER: Jun Igarashi Architects<br>&nbsp;&gt; The five houses on the Japanese island Hokkaido illustrate in this file the new wave of Japanese school: critical assimilation of modernist language, profound interpretation of the context, highly consistent architectural concepts and a significant materialization, which makes European constructors lost in thoughts.<\/p>\n<p>&nbsp;58&nbsp;Intro: Cosmin Caciuc<\/p>\n<ul>\n<li>&nbsp;60&nbsp;The Rectangle of Light House<\/li>\n<li>&nbsp;64&nbsp;House of Trough: Independence from View<\/li>\n<li>&nbsp;68&nbsp;Multiple Layers of Light House<\/li>\n<li>&nbsp;72&nbsp;M-House: Looking Only Into Its Own Interior<\/li>\n<li>&nbsp;76&nbsp;O-House or 15 Boxes<\/li>\n<\/ul>\n<p>80&nbsp;Urban Report: Tranzit.ro<br>&gt; Instead of an art center, a strategy of<br>dispersion, infiltration, cooperation<br>Text: Raluca Voinea, Livia Pancu, Attila Tordai<\/p>\n<p>84&nbsp;Artist, location, architect<br>&gt;&nbsp; The National Museum of Contemporary Art (MNAC) is housing for a whole year a retrospective of artist Mircea Cantor. The Q.E.D. exhibition is located on the ground floor and the mezzanine of the museum, and the connection between the exhibits and the spaces belonging to Ceausescu&rsquo;s former palace is anything but accidental. Attila Kim&rsquo;s exhibition design responds to the artist&rsquo;s programme by disassembling and reorganizing existing spaces.<br>Text: Mircea Cantor, Attila Kim<\/p>\n<p>90&nbsp;&nbsp;New Holland, St. Petersburg: The City within the City<br>&gt;&nbsp; The conversion of a former military port in St. Petersburg<br>Text: Cosmin Caciuc<\/p>\n<p>94&nbsp;Theatre at home. Two shows at number 53, Carol Boulevard<br>&gt;&nbsp; New theatrical experiences into a reused house<br>Text: Lucian Sandu-Milea<\/p>\n<p>96&nbsp;Modulab: Symbiogenesis and coevolution in the context of interactive design<br>Text: Ioana Calen<\/p>\n<p>98&nbsp;&nbsp;Bucharest Design Center: Original Identic Replicas<br>&gt; Original vs fake &ndash; a debate in design<br>Text: Liana Vasilescu<\/p>\n<p>100&nbsp;Parametric and Crafted<br>&gt; Street Delivery Pavilion in Iasi, the second gridshell spatial structure in Romania<br>Text: Andrei Padure<\/p>\n<p>102&nbsp;Patrik Schumacher:&nbsp; Design is Communication<br>&gt; Interview with the special guest of the event Dynamic Fields in Bucharest&nbsp;<br>Reporter: Ina Leonte<\/p>\n<p>106&nbsp;Connected: Smart community and infrastructure for electric cars<br>&gt; Mitsubishi is involved in infrastructure projects of the future at a global level and it is testing solutions for the implementation of urban electric transport: alternative mobility attracts a new vision about the city as a network of energy and information flows.<br>Text: Cosmin Caciuc<\/p>\n<p>114&nbsp;TVZEB: Experimental Zero Energy Building<br>&gt; Enhancing building performance of a building in Vicenza, Italy<br>Text: Traverso-Vighy<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>28&nbsp;Editor&rsquo;s #117 \/ In the countryside. For us, for them, for everyoneText: Stefan Ghenciulescu 30&nbsp;SANAA: Outside Paris Text: Corina Laza&gt; Sanaa created for Louvre Lens Museum a building that is capable to dissolve itself in the landscape and whose galleries contradict the traditional canons of museology.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[327],"tags":[288,289],"class_list":["post-7536","post","type-post","status-publish","format-standard","hentry","category-revista-117","tag-architecture","tag-magazine"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Content magazine no 117<\/title>\n<meta name=\"description\" content=\"Editor\u2019s #117 \/ In the countryside. 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For us, for them, for everyone \/ Text: Stefan Ghenciulescu; SANAA: Outside Paris \/ Text: Corina Laza - Sanaa created for Louvre Lens Museum a building that is capable to dissolve itself in the landscape and whose galleries contradict the traditional canons of museology.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/e-zeppelin.ro\/en\/content-magazine-117\/\" \/>\n<meta property=\"og:site_name\" content=\"e-zeppelin\" \/>\n<meta property=\"article:published_time\" content=\"2013-09-21T11:39:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-09-23T03:56:54+00:00\" \/>\n<meta name=\"author\" content=\"Nickname\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nickname\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/e-zeppelin.ro\/en\/content-magazine-117\/\",\"url\":\"https:\/\/e-zeppelin.ro\/en\/content-magazine-117\/\",\"name\":\"Content magazine no 117\",\"isPartOf\":{\"@id\":\"https:\/\/e-zeppelin.ro\/en\/#website\"},\"datePublished\":\"2013-09-21T11:39:21+00:00\",\"dateModified\":\"2013-09-23T03:56:54+00:00\",\"author\":{\"@id\":\"https:\/\/e-zeppelin.ro\/en\/#\/schema\/person\/9a9eba52dfa3e9941be121e718c5a943\"},\"description\":\"Editor\u2019s #117 \/ In the countryside. 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For us, for them, for everyone \/ Text: Stefan Ghenciulescu; SANAA: Outside Paris \/ Text: Corina Laza - Sanaa created for Louvre Lens Museum a building that is capable to dissolve itself in the landscape and whose galleries contradict the traditional canons of museology.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/e-zeppelin.ro\/en\/content-magazine-117\/","og_locale":"en_US","og_type":"article","og_title":"Content magazine no 117","og_description":"Editor\u2019s #117 \/ In the countryside. For us, for them, for everyone \/ Text: Stefan Ghenciulescu; SANAA: Outside Paris \/ Text: Corina Laza - Sanaa created for Louvre Lens Museum a building that is capable to dissolve itself in the landscape and whose galleries contradict the traditional canons of museology.","og_url":"https:\/\/e-zeppelin.ro\/en\/content-magazine-117\/","og_site_name":"e-zeppelin","article_published_time":"2013-09-21T11:39:21+00:00","article_modified_time":"2013-09-23T03:56:54+00:00","author":"Nickname","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Nickname","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/e-zeppelin.ro\/en\/content-magazine-117\/","url":"https:\/\/e-zeppelin.ro\/en\/content-magazine-117\/","name":"Content magazine no 117","isPartOf":{"@id":"https:\/\/e-zeppelin.ro\/en\/#website"},"datePublished":"2013-09-21T11:39:21+00:00","dateModified":"2013-09-23T03:56:54+00:00","author":{"@id":"https:\/\/e-zeppelin.ro\/en\/#\/schema\/person\/9a9eba52dfa3e9941be121e718c5a943"},"description":"Editor\u2019s #117 \/ In the countryside. 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