{"id":13196,"date":"2023-02-01T21:49:07","date_gmt":"2023-02-01T21:49:07","guid":{"rendered":"https:\/\/e-zeppelin.ro\/en\/?p=13196"},"modified":"2023-02-01T22:13:54","modified_gmt":"2023-02-01T22:13:54","slug":"dossier-resita-a-city-on-the-move-i-2","status":"publish","type":"post","link":"https:\/\/e-zeppelin.ro\/en\/dossier-resita-a-city-on-the-move-i-2\/","title":{"rendered":"Dossier: Re\u0219i\u021ba. A City on the Move (II)"},"content":{"rendered":"\n

The scale regeneration of an entire romanian city, and not of an energic metropolis, but of a post-industrial town, is the subject of a Dossier coordinated by Lorena Brează & Mugur Grosu and published in Zeppelin magazine no. 166 (summer 2022). We have undertaken an extended analysis, with detailed interviews, dates, etc., because Reșița – a centre of modernity ever since the 18th century, then subjected to brutal de-industrialization – is an example of rebirth. Unique in Romania and valuable enough to serve as an international model, even if the process is still underway. The first part of this Dossier is here<\/a>. And now, the second part:<\/p>\n

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\"stema<\/a><\/p>\n

Ideas Under a Rusted Rainbow<\/strong><\/h1>\n

Intro, interviews: Mugur Grosu<\/strong>
\nPhoto: Petre Dalea, Daniel Pușcău, Mugur Grosu, D Proiect<\/strong><\/p>\n

Until last year, I knew nothing about Reșița. I only had a childhood memory of transiting on my way o Semenic and noticing the funicular’s bleak arc over the city, like a rusted rainbow.<\/p>\n

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\"funicular<\/a><\/p>\n

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This March I spent a month over there, for the first Romanian-German cinematic coproduction to be shot in the city, the movie Clara, by Reșița-born director Sabin Dorohoi. I don’t think the project would have temped me, but I kept learning things that triggered me: that artists Gorzo and Comănescu had exhibited wonders over there or that the funicular would be turned into a pedestrian venue, like the famous High Line – NYC.<\/p>\n

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