{"id":11991,"date":"2021-04-28T22:20:42","date_gmt":"2021-04-28T22:20:42","guid":{"rendered":"https:\/\/e-zeppelin.ro\/en\/?p=11991"},"modified":"2021-04-29T06:21:11","modified_gmt":"2021-04-29T06:21:11","slug":"zeppelin-161-spring_2021","status":"publish","type":"post","link":"https:\/\/e-zeppelin.ro\/en\/zeppelin-161-spring_2021\/","title":{"rendered":"Zeppelin #161 (spring_2021)"},"content":{"rendered":"\n

\"zeppelin_161_coperte<\/p>\n

 <\/p>\n

Edito: They cleaned it<\/strong> up<\/strong><\/a>
\nText: Ştefan Ghenciulescu<\/p>\n

In Romanian society, one of the most common (and terrible) value confusions is, I believe, the one between beautiful, new or in good condition, on the one hand, vs. ugly, old, in poor condition, on the other. And it primarily shows when talking about architecture and the city. The reasons are many – from lacking visual education to our general frustrations or the uncertain relationship with the past, which we’d rather have mythically, than revealed through tangible traces. We are a conservative society (in some respects, even ultra-conservative), but one which does not like to conserve. The old is suspicious. That is, the actual old, while the new in the faux old, fake traditional style, is in great demand. (…<\/a>)<\/p>\n

DOSSIER <\/strong>
\nSmall Blocks of Flats<\/strong><\/p>\n

Intro<\/strong>
\nText: Ştefan Ghenciulescu<\/p>\n

\"intro<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

Calderon 80 Residence<\/strong>
\nBucharest<\/p>\n

Project: ADN BA<\/p>\n

\"adnba<\/a><\/p>\n

 <\/p>\n

Urban Infill<\/strong>
\nEnric Rojo Arquitectura: PIC—Apartment Building, Badalona<\/p>\n

\"eric<\/a><\/p>\n

 <\/p>\n

Prefab Story <\/strong>
\nFAR Architects: Wohnregal, Berlin<\/p>\n

\"FAR_Wohnregal_009_David<\/a><\/p>\n

 <\/p>\n

Wood is for Apartment Buildings<\/strong>
\nMARS architectes: An Environmentally Conscious Apartment Block in Paris<\/p>\n

\"MARS<\/a><\/p>\n

 <\/p>\n

Monolith and Human Scale <\/strong>
\nSA43: Apartment Building, Budapest<\/p>\n

\"sa43_bloc<\/a><\/p>\n

 <\/p>\n

Taming<\/strong>
\nMelon Design Studio: Remodelling a Young Housing Block in Bucharest<\/p>\n

\"Melon<\/a><\/p>\n

 <\/p>\n

At the Crossing <\/strong>
\nGraphic Studio: Apartment Building on Răsuri Street<\/p>\n

\"Graphic<\/a><\/p>\n

 <\/p>\n

House in Red Concrete<\/strong>
\nLillehammer<\/p>\n

\"House<\/a><\/p>\n

 <\/p>\n

DOSSIER <\/strong>
\nMVRDV<\/p>\n

 <\/p>\n

Intro<\/strong>
\nCurators: Ştefan Ghenciulescu, Miruna Dunu<\/p>\n

\"RockMuseum_Roskilde_intro\"<\/a><\/p>\n

 <\/p>\n

Every Project Becomes a Prototype for Pushing Boundaries <\/strong>
\nA Discussion with Nathalie de Vries<\/p>\n

\"Baltyk_©Ossip\"<\/a><\/p>\n

 <\/p>\n

Bałtyk Tower <\/strong>
\nPoznań<\/p>\n

\"Baltyk_Tower_©Ossip\"<\/a><\/p>\n

 <\/p>\n

Bjørvika Barcode and DNB House <\/strong>
\nOslo<\/p>\n

\"Barcode_MVRDV<\/a><\/p>\n

 <\/p>\n

WERK12<\/strong>
\nMünchen<\/p>\n

\"Werk_cartoon_©Ossip_1\"<\/a><\/p>\n

 <\/strong><\/p>\n

Depot Boijmans Van Beuningen<\/strong>
\nRotterdam<\/p>\n

\"ART_Depot_2020_©Ossip\"<\/a><\/p>\n

 <\/p>\n

Valley
\n<\/strong>Amsterdam<\/p>\n

\"Valey_ext<\/a><\/p>\n

 <\/p>\n

Concordia Design <\/strong>
\nWrocław<\/p>\n

\"concordia\"<\/a><\/p>\n

ROCKmagneten<\/strong>
\nRoskilde, Danemarca<\/p>\n

\"RockMuseum_Roskilde_©Ossip\"<\/a><\/p>\n

 <\/p>\n

Tainan Spring<\/strong>
\nTaiwan<\/p>\n

\"Tainan_Spring_Daria<\/a><\/p>\n

 <\/p>\n

Expo Pavilion 2.0 <\/strong>
\nA New Life<\/p>\n

\"Pavilion<\/a><\/p>\n

 <\/p>\n

Palais du Commerce<\/strong>
\nRennes<\/p>\n

\"Palais<\/a><\/p>\n

 <\/p>\n

The Pyramid of Tirana<\/strong><\/p>\n

\"Pyramid<\/a><\/p>\n

 <\/p>\n

NEXT: Access to Tooling <\/strong>
\nExtensions, Hacks and Speculations
\nText: Leo Stuckhardt, MVRDV NEXT<\/p>\n

\"Next<\/a><\/p>\n

About and for Romanian Architecture<\/strong>
\nText; Jan Knikker & Miruna Dunu<\/p>\n

PLANS<\/strong><\/p>\n

\"inRomania\"<\/a><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"

  Edito: They cleaned it up Text: Ştefan Ghenciulescu In Romanian society, one of the most common (and terrible) value confusions is, I believe, the one between beautiful, new or in good condition, on the one hand, vs. ugly, old, in poor condition, on the other. And it primarily shows when talking about architecture and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[439,440,3,15],"tags":[],"class_list":["post-11991","post","type-post","status-publish","format-standard","hentry","category-439","category-revista-161","category-shopmagazines","category-zeppelinmagazines"],"yoast_head":"\nZeppelin #161 (spring_2021)<\/title>\n<meta name=\"description\" content=\"Zeppelin magazine #161, Spring edition, 2021 \/ DOSSIER1: Small Blocks of Flats \/ DOSSIER 2: MVRDV\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/e-zeppelin.ro\/en\/zeppelin-161-spring_2021\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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