{"id":11630,"date":"2021-01-13T19:19:16","date_gmt":"2021-01-13T19:19:16","guid":{"rendered":"https:\/\/e-zeppelin.ro\/en\/?p=11630"},"modified":"2021-04-28T22:27:28","modified_gmt":"2021-04-28T22:27:28","slug":"zeppelin-160-winter_2020-2021","status":"publish","type":"post","link":"https:\/\/e-zeppelin.ro\/en\/zeppelin-160-winter_2020-2021\/","title":{"rendered":"Zeppelin #160 (winter_2020-2021)"},"content":{"rendered":"\n

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Edito: The application form, the typewriter and the golden flat<\/strong><\/a><\/p>\n

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Text, object, photo: Mugur Grosu<\/p>\n

In our collective imaginary in Romania, the writer is still associated with the quill and pen. And, late at night, with weary lashes, they will still blow out the light bulb, out of sheer habit. This is no metaphor, those of us living under Communism used to write by candlelight, like bards of old times, because of daily power cuts. <\/span>Once again because of Communism, here the typewriter is not symbolic for literature but has remained the embodiment of state authorities. During the “Golden Age” of Ceausescu, Decree no. 98 of 28 March 1983, stated that any typewriter had to get an approval from the police (Miliția). (…)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

DOSSIER: EXPO<\/strong>
\nIntro
\nTEXT Ştefan Ghenciulescu<\/p>\n

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In‑between<\/strong>
\nDavid Chipperfield Architects: James Simon Gallery, Museum Island, Berlin<\/strong><\/p>\n

Project: David Chipperfield Architects
\nText: Lorena Brează
\nPhoto: Laurian Ghiniţoiu<\/p>\n

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Enough is Enough<\/strong>
\nResponsibility for Real: 2020 Timişoara Architecture Biennial<\/p>\n

Text: Anca Cioarec, Brînduşa Tudor,Raluca Rusu, Alexandru Ciobotă
\nPhoto: Bianca Azap, Dan Purice<\/p>\n

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The Romanian Museum of Collectivization<\/strong><\/p>\n

Text: Cosmina Goagea
\nPhoto: Andrei Mărgulescu<\/p>\n

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Pocket Interiors.<\/strong>
\nA Contemporary Telematic Novel<\/p>\n

Project: Zeppelin Design
\nText: Constantin Goagea
\nPhoto: Andrei Mărgulescu<\/p>\n

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The Water Castle and The Tower of Arts in Turnu Severin<\/strong><\/p>\n

Project: Zeppelin Design
\nText: Constantin Goagea
\nPhoto: Andrei Mărgulescu<\/p>\n

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URANUS NOW<\/strong><\/p>\n

Project & Text: URANUS NOW team
\nPhoto: Tudor Constantinescu, Vlad Dudu, Andrei Bîrsan, URANU NOW team<\/p>\n

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A Storehouse with a View<\/strong>
\nThe Mihai Oroveanu Archive at the Salonul de proiecte
\nTEXT Salonul de proiecte, skaarchitects –Kalliopi Dimou, Sorin Istudor<\/p>\n

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The Incredible and Sad Tale of a Lonely Contessa and Her House for the Inhabitant who Refused to Participate<\/strong>
\nTEXT Daniel Tudor Munteanu, Davide Tommaso Ferrando<\/p>\n

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From Near to Far<\/strong>
\nVisual Cartographies of the 2 Mai and Vama Veche Space
\nTEXT Iuliana Dumitru, Alex Axinte<\/p>\n

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ZOOM<\/strong><\/p>\n

The Urban Machine<\/strong>
\nMEETT Toulouse Exhibition and Convention Centre
\nTEXT OMA<\/p>\n

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The Electra Factory, Iaşi<\/strong><\/p>\n

Text:Alexandra Berdan
\nPhoto: Katerina Nedelcu, Alexandra Berdan, Ancuţa Costandache<\/p>\n

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The Terminal as a Tool for Urbanity<\/strong>
\nBus Terminal, Budaörs<\/p>\n

Project: Intramuros
\nText: Lorena Brează<\/p>\n

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The Light New Top<\/strong>
\nGV51 Penthouse Apartments, Belgrade<\/p>\n

Project & Text: Studio ENND
\nPhoto: Relja Ivanic<\/p>\n

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Urbanizing the Swiss Periphery<\/strong>
\nIgual Guggenheim Architects: 2 Collective Housing Projects<\/p>\n

Project & Text: Sancho Igual, Yves Guggenheim
\nPhoto: Radek Brunecky (Wetzikon), Beat Bühler (Küsnacht)<\/p>\n

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FABER. Independent Cultural Center, Timişoara<\/strong>
\nInterview with Oana Simionescu and Sergiu Sabău<\/p>\n

Reporter: Lorena Brează
\nPhoto: Farkas Pataki<\/p>\n

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Daydreaming<\/strong><\/p>\n

Text:Ştefan Ghenciulescu
\nPhoto: Radu Abraham, Ioana Sisea<\/p>\n

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Material‑scapes<\/strong><\/p>\n

Text: Sandra Demetrescu
\nPhoto: Andrei Mateescu<\/p>\n

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Places in a Garden<\/strong>
\nMânadelucru: Kindergarten in Bucharest<\/p>\n

Text: Dorin Ştefan Adam, Lorena Brează
\nPhoto: Vlad Pătru<\/p>\n

\"\"<\/a><\/p>\n

The Meaning of Sculpture<\/strong>
\nObjects, Spaces and Learning at Kunsthalle Bega<\/p>\n

\"\"<\/a><\/p>\n

PLANS<\/strong><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"

Edito: The application form, the typewriter and the golden flat Text, object, photo: Mugur Grosu In our collective imaginary in Romania, the writer is still associated with the quill and pen. And, late at night, with weary lashes, they will still blow out the light bulb, out of sheer habit. This is no metaphor, those […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[438,15,3],"tags":[],"class_list":["post-11630","post","type-post","status-publish","format-standard","hentry","category-revista-160","category-zeppelinmagazines","category-shopmagazines"],"yoast_head":"\nZeppelin #160 (winter_2020-2021) - e-zeppelin<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/e-zeppelin.ro\/en\/zeppelin-160-winter_2020-2021\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zeppelin #160 (winter_2020-2021) - e-zeppelin\" \/>\n<meta property=\"og:description\" content=\"Edito: The application form, the typewriter and the golden flat Text, object, photo: Mugur Grosu In our collective imaginary in Romania, the writer is still associated with the quill and pen. 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